In this task, I have taken two different courses available at Otago Polytechnic and will discuss their degree of flexibilty. I also produced 2 charts, one for each course, based on the detailed chart from Casey and Moonen (2004) describing all the specific areas of flexibility, but I have been unable to copy them intact into this blog. The format changes when copied. I will attempt to find another route to provide access to these charts delineating each specific degree of flexibility.
Course One: VA704001 Otago Polytechnic School of Art, BVA Professional Practices
This is a course that I do not teach but my daughter is enrolled in. The personal perspective in the reflective portion of the analysis are based on her perceptions of the course and her thoughts on how other students in the course percieve the degree of flexibility of the course.
Description of the Learning:
In the Bachelor of Visual Arts
program at Otago Polytechnic, the course BVA Professional Practices is a course
required for completion of the BVA program.
It is taught to students on-site, in the classroom at a set time of one
term, Thursday mornings from 9:30am until 12 noon. In addition to class attendance, students are
expected to read a number of articles from a selection of articles provided on
the course Moodle web page. This
analysis is presented based from the viewpoint of an enrolled student and data
available on Moodle.
The students in the class consist of
a wide range of ages from age 20 to age 70, but the majority of students
average in their mid-twenties. There are
66 students enrolled in the course with approximately 5-10% international
students from a wide variety of countries, and a small percentage of Maori or
Pacific Island students. The remainder
of students are primarily New Zealanders of European descent.
Attendance in the class is not
mandatory except for international students, but role is taken. Grading is on a letter grade basis requiring
a C grade or better to pass. Assessments
consist of four 25 point assignments during the term. There are two writing assignments. The first is a 300 word short essay about the
students own work, but relating it to an article they read from the Moodle
course site. The second writing
assignment consists of two parts: a 150 work artist description, and a 150 word
project description about their end of the year art display project they are
making. The third assignment is to
photograph their own art work and provide labels for the art yearbook. And the
final assignment is to put together a proposal for an exhibit of their work
that they would be able to submit to a real art gallery of their choosing. This proposal would include a CV, writings
about their work, photos of their work, a display plan including floor
plans. The due dates for each of these
projects are set at the beginning of the course and extensions are only granted
for short periods of time for extenuating circumstances. My analysis of this
course is largely related to descriptions and viewpoints expressed by my
daughter who is currently enrolled in the course.
Analysis of the Learning:
Using the Collis and Moonen (2004)
table of flexibility to assess this course, one can see that it scores very low
on degree of flexibility that is offers.
Most of the flexibility lies with the tutor’s ability to choose the
material presented, or the orientation of the course. There is almost no flexibility for the
students because the course class time is set and specific, there are a limited
number of articles from which they must choose to read or apply to their assignments,
and they only have real flexibility in which gallery they select to use as the
basis for their final assignment. Accordingly, relative to the range of Five
Dimensions of Flexibility discussed by Casey and Wilson (2005), the course is
currently flexible only in the areas of Content and Instructional Approaches
and Resources, which are centred side of tutorial flexibility.
Reflection of the Learning:
This
limited degree of flexibility is problematic for many students because they may
have personal concerns (illness, family matters, or other issues) which interfere
with their ability to attend the class lecture.
Once the lecture is missed, there is no opportunity for them to make it
up or obtain the information that was provided at the lecture. The limited number of articles from which to
choose for reading to relate to their own work makes it difficult for some
students whose own work may be of a type or nature that it does not relate well
to the material provided. This can be
frustrating to the art student is very innovative in their work. My daughter relates that there is very little
information on how or where to obtain any additional resources on the course
topics. The lectures often involve guest
lecturers whose styles of delivery and topics of discussion vary greatly, so
that some lectures may be dull and seem unrelated to information relevant to
the students’ needs for the future, of presenting or selling their works, or
they may be very interesting and stimulating and encourage the students to go
forward in perhaps a new direction. Some
students in the class have stated that they have had difficulty obtaining
appointment time with the tutor to discuss their individual work and that their
appointment times are sometimes cancelled when they arrive due to the tutor
being too busy to see them. This limits the
degree of flexibility even further to contact primarily through interaction
during class time.
It
would be helpful to profile the students to determine what their needs and
preferences were to devise strategies to adapt the course to best fitting those
needs and to potentially expand their interest, engagement and depth of
learning from the course.
Apply the principle of the four main
building blocks of flexibility discussed in Casey and Wilson (2005) the course
could be improved by utilizing technology ( videotaping, Adobe online,
podcasts, etc.) would allow the students flexibility in the time which they
engage in the learning, as well as the sequence of the learning. Another example of changing a building block,
Strategy, could be adapted to allow students to be the developers of their
learning progression by being partners with the tutor, in the planning of their
course assignments and assessments to achieve the objective learning outcome.
Taking Action:
The
degree of flexibility could be improved for this course by offering a number of
different alternatives to class attendance at a fixed time. To improve the course in line with Casey and
Wilson’s recommendations for change, the course could be altered to allow the
student to have more autonomy in developing their own resources for learning.
The resources and materials could be expanded to be open-ended allowing
students to choose readings from any source to relate to their own work. Perhaps the classes could be videotaped so
that students who were unable to attend, who have an opportunity to watch the
class at another time. Alternatively,
the class could be offered with an online component as an alternative such as Adobe
Connect, or Skype meeting. Other forms of assessment could be included to allow
more variety to the ways in which the students present their own artwork. Art is by its very nature diverse as it is a
form of self- expression. As the artists
themselves will represent a wide variety of people, experiences, and inner
ideas, the learning and presentation of art should also be diverse to match.
References:
Collis B and Moonen J (2004) Flexible
Learning in a Digital World (2nd edition), London: Routledge and Falmer
Casey, J. and Wilson, P (2005) A practical guide to providing flexible learning in further and higher education
Course Two: CVN5158 Otago Polytechnic School of Veterinary Nursing, Analgesia and Anaesthesia
Description of the Learning:
The students of 5158 Anaesthesia for
the Certificate of Veterinary Nursing program represent a wide variety of
students studying by distance, who live in all different regions throughout New
Zealand.
They are
students of all ages ranging from teenagers to seniors and the vast majority of
them are female. They are working in
veterinary practices as this work experience is a mandatory component of the
program. They come from a wide range of cultural backgrounds. Many are married
or have family obligations which prevent them from attending full time, on-site
educational programs.
With regard to the five dimensions
of flexibility discussed in Casey and Wilson (2005), the course currently
offers a level of flexibility I have scored at just below moderate. The primary
focus of flexibility has been in making modifications to the course to suit
teaching students from a distance. The
course materials (course notes, media presentations, Power points, and assessments)
have all been formatted to be delivered via the internet. The primary mode of delivery is via Moodle.
Educational materials offered to students include free book lending from the
library (including free delivery) and e-books, as well as a required text.
Practical training is provided by offering 2 short Block Courses, which consist
of a 3-4 day session, offered at 4 different venue locations around the
country, and by their own work experience. In addition, we have offered
regularly scheduled, on-line tutorial sessions via Adobe Connect where students
have an opportunity to communicate live with a lecturer. The students’ assessments are submitted
electronically and consist of open book assessments, timed on-line multiple
choice tests, and self-filmed videos submitted via links to You Tube.
Analysis of the Learning:
During the delivery of this course
to students this year, I was aware of many shortcomings of the course
presentation, as well as some significant advantages the course offered to
students.
The
course notes provided to students via Moodle seemed wordy and deficient in
diagrams and photographs so that they seemed confusing and somewhat daunting to
many students. The number of students
who regularly accessed the course notes could easily be followed on Moodle and
this showed that that student usage of them was significantly lower than would
be expected for a course of this level of difficulty. In addition, the course notes (which were
written within the school) sometimes contained outdated information which added
to student confusion. The advantage of
the course notes being a free resource available to students throughout the
course was offset by these disadvantages.
The Moodle page for the course was a
little overwhelming for some students due to the number of different resources
listed on the page. Some students had
difficulty understanding how to use the Moodle upload tools to submit their
assessments. The Moodle forum site,
however, did offer students a way to communicate with other students and
enhanced their learning by being able to discuss or get assistance to solve
problems that they had. The forum also
helped the student obtain clarification or assistance from the tutors. The
Moodle multiple choice tests for assessment were well received by students,
although a few of them admitted that the time limits and ticking clock were
stressful.
Most students were very happiest
with the practical course sessions taught in two block courses, and said they
learned the most relevant material at these sessions, and that they would like
to have more of them. These sessions let
them have hand-on experience handling the machinery, and immediate feedback
from the tutor as to their techniques.
Very few students attended the Adobe
on-line tutorial sessions (less than 2% of the students) and then they were
very reluctant to communicate or participate (which made the sessions much less
valuable as interactive sessions). But
quite a few students said that they listened to recordings of the Adobe sessions
at a later date and found them helpful.
Reflection of the Learning:
I found teaching this distance
course very challenging in terms of trying to deliver a large volume of
difficult subject matter in such an extremely condensed and shortened time
frame. I was very frustrated by the poor
attendance at the Adobe Sessions, which were often scheduled in early evening
to accommodate those who worked. The
teaching sessions felt very rushed trying to get through a mountain of
information in a very short amount of time, and I felt I only had time to teach
the bare minimum, rather than being able to fully explain a topic. I enjoyed meeting the students at the block
courses, but the limited contact with them (and large number of them) made it
almost impossible to get to know them.
The distance students needed much more pastoral care than full time
students because they often had more difficulty understanding the material or
the assessment criteria based on primarily reading written material. This led to my having some resentment of how
much time on my part was directed toward these needs, rather than on teaching
them. The students didn’t like making
the videos for assessments and repeatedly ask that we decrease the number of
videos required, but from a marker’s perspective, the videos show very clearly
whether the student has mastered the material by their performance on the
video. I find the amount of marking to
be excessive and dislike marking the open book assessments, which I feel do not
accurately reflect the student’s knowledge, but really only show whether they
can locate the answer in a book.
I feel that the distance 5158
Anaesthesia course for our veterinary nursing students offers the students some
great advantages in the opportunity to study from any location in New Zealand, with
a minimal requirement for attending formal classes. These advantages allow students in all sorts
of living situations and job positions to learn and earn a qualification. They may juggle their jobs, families,
childcare and other obligations with studying at the same time. However, I feel that the quality of the study
program that they receive is inferior to a full time program because the very
severely limited direct contact time with the tutors, and the significantly
decreased opportunity for hands on training.
Their work places often do not take the time to show them hands on
techniques for the topic they are studying, and they often lack the quality of
equipment or level of practice to demonstrate things to best practice
standards. Students often learn a
substandard method of doing something which then must be corrected. The
personal stress of trying to teach this distance course if far higher than for
teaching the full course. I disliked
teaching an Adobe session to just three or four students who were reluctant to
communicate, and I found it extremely difficult to make a connection with
individual students with so little contact time.
Taking Action:
For this next year, I am proposing
to make some changes to the course to hopefully improve some of the negative
aspects. I think that a podcast type of
presentation should replace the Adobe sessions, because the students seem to
prefer to view it on their own time, rather than a set time. A podcast might also reduce the level of
frustration I feel at the students’ reluctance to engage in the Adobe sessions.
I would like to be able to offer students an option to attend hands on training
session here in Dunedin at their option, but it will probably be prohibitively
expensive for both most students and for Otago Polytechnic. It would be nice if
we had on on-site facility here at the main campus, where the students could
come and participate for a few days practicing what they are learning in a real
life setting with tutor supervision.
I would like
to eliminate the written course notes provided on Moodle and replace them with
a free access text that they may download or refer to at any time during the
course plus access to several other veterinary nursing texts, and a number of
veterinary journal articles posted to Moodle.
The advantages of using a text is that the texts are regularly updated
to reflect changes in the industry, they are more detailed and provide
opportunity for greater learning, and they contain more diagrams, images and
photos. I am also trying to devise some other types of learning which will
encourage the students to be more actively involved in the course material
throughout the duration of the course, rather than their tendency to leave
studying to the last minute before an assessment is due. I would also like to develop other forms of
assessment which stimulate critical thinking more than just hunt for the
information in the text, and write down what is the answer from a book for an
OBA. Apply an idea suggest in Casey and Wilson (2005) for teachers to have more
of a role in organising student activity rather than simply imparting the
knowledge, I am considering ways of having students interact to develop their
learning and skills related to anaesthesia rather than just standing in front
of them and delivering the information.
Hopefully this will allow students to become more active participants in
the learning process and not just passive learners.
References:
Collis B and Moonen J (2004) Flexible
Learning in a Digital World (2nd edition), London: Routledge and Falmer
Casey, J.
& Wilson, P. (2005) A practical
guide to providing flexible learning in further and higher education
This is a fabulously interesting critique of two very different courses - well done in your choices. You have identified clearly some strengths and the degree of flexibility offered by both courses. Since you are offering the anesthesia course by distance it has to be flexible which gives you an ideal position for comparing the campus-based course.
ReplyDeleteYour appraisal singles out several issues as well, and it is great to see that although there are barriers for students in accessing the two different styles of learning, you have thought of some potential solutions for some situations. However, what else aside from podcasts could be done to solve this dilemma quoted below? Knowing why they are not attending and participating when there could be a first step. What could you do to enhance interactions in the synchronous adobe sessions. I would be interested to hear more about what you currently do in the sessions.
"Very few students attended the Adobe on-line tutorial sessions (less than 2% of the students) and then they were very reluctant to communicate or participate (which made the sessions much less valuable as interactive sessions)."
Do you think it is the technology that is causing the barrier, or unfamiliar territory and not knowing how to act in an online classroom or is it the design of the lesson that could be improved? Would they come to hear external guest speakers, waxing lyrical about topical subjects, for example? Sometime controversial subjects draw bigger crowds.